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Stephen James Taylor
Stephen James Taylor is a Los Angeles-based composer best known for his film and TV scores with 4 ''Emmy'' nominations ('93 and '97), 2 ''Annie'' nominations ('99 and '00) and a DVD-X Award on "Best Original Score (for a DVD Premiere Movie) to date ('05).〔(Awards for Stephen James Taylor )〕 His style is a blend of pop, classical, jazz, world music and experimental surround sound genres.
== Unusual notes ==
One of the ways he achieves his sound is by working with a larger palette of notes than those allowed on conventional instruments. He introduced microtonality to the vocabulary of film music 〔Kimpel, Dan. (“Stephen James Taylor; Taylor Making a New Musical Vocabulary” ), ‘’Film Music Magazine, Vol.1 No.5, Nov-Dec 1998, (Music Network ).〕 with his ground breaking score to THE GIVING (1992, Eames Demetrios)〔Thomas, Kevin. (“Do-Gooder's Dilemma in 'The Giving'” ), ‘’LA Times, , December 17, 1992..〕 composed solely using a scale with 58 tones per octave, unequal. Other Taylor scores incorporating microtonal cues include: Why Do Fools Fall in Love (film) (Warner Brothers Pictures) 1998, Gregory Nava, Timon & Pumbaa (TV series)(1995-8),〔Craig, Tony. (“Animation and Music ...” ), ‘’Animation World Magazine, Issue 4.1, April 1999, (World Network ).〕 Mickey Mouse Works (1998–2000), THE FINAL INSULT (1997 Charles Burnett), POWERS OF TIME (1996 Eames Demetrios), A QUESTION OF FAITH (2000 Tim Disney), The Glass Shield (1995 Charles Burnett) Black Panther (TV series) (2010 Reginald Hudlin, Marvel), THE EAMES ALUMINUM CHAIR, and A GATHERING OF ELEPHANTS (Eames Demetrios 2007, 2008).
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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